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Topic Culture:: PAGE #15
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421. Blockbuster (blockbuster)
:: I have done a whole body of work classy blockbusters completely commercial films and art movies
422. Entry (entry)
:: While the crowd settled down with the initial bang the star of the show made his entry
423. Yarn (ntambo)
:: In another building not far from where the sewing is taking place cotton is spun into yarn and turned into a material
424. Radio (radio)
:: On both floors are the desks of the staff working on the news programme website and radio station
425. Anecdote (bhalo)
:: The appeal of Resnicks account is enhanced by the lure of Bohemia which he and Passlof enrich with anecdote and intertwine with aesthetics and social history
426. Display (isiboniso)
:: The headup display features symbology compatible with frontline aircraft
427. Stave (azame)
:: They responded by putting down their staves and harpoons
428. Atonal (atonal)
:: Around the turn of the century composers began to experiment with atonality dissonance and primitive rhythms
429. Classic (zakudala)
:: A necktie is so classic it is almost a joke but it doesnt have to be
430. Classicism (classicism)
:: This involved a step from classicism towards romanticism which was also a shift from civilisation towards barbarism
431. Fandango (fandango)
:: In a devised piece of theatre dance and mime The Shysters cast of eight actors with learning disabilities present a love story set in the key of a fateful fandango
432. Fanfare (yena wafuna)
:: Originally improvised as distinct from military signals fanfares are used for ceremonial purposes for example to announce the entrance of a dignitary and are characterized by reliance on the harmonic series
433. Fantasia (fantasia)
:: Perelmans freeassociative style spun fantasias out of girdle ads tabloid tattle sleazy pulp fiction and recipe prose
434. Pantomime (indawo yimidlalo)
:: This pantomime follows the story line closely and yet manages to get the up to date flavour with some current pop chart songs which go down very well with the younger members of the audience
435. Paper (iphepha)
:: The supervisor nods and continues to make annotations on a sheet of paper
436. Bassist (bassist)
:: Bands of that era also featured great pianists bassists trumpeters flautists violinists and occasional saxophonists
437. Bassoon (bassoon)
:: The instrumental ensemble is comprised of flute two oboes two clarinets two bassoons two French horns and a doublebass
438. Frontispiece (Umphambili)
:: In the lower half of the frontispiece the Muses adorn the monument with attributes of their respective arts
439. Toccata (toccata)
:: However it is important to note that this also finds parallels in the keyboard toccatas of a number of North German composers
440. Taut (iqine)
:: Normally at times likes these Montgomeries nerves are so taut that it would be possible to play a guitar solo on them
441. Highbrow (highbrow)
:: In the 1999 series Resolutions Chicago continues to address the audience she has created of mainly middle and workingclass women an audience easily dismissed by both highbrows and lowbrows
442. Fanzine (fanzine)
:: As an object of cultlike worship he is the subject of books fanzines websites and films
443. Farce (nomkhuba)
:: His farce is built on a familiar idea that of the wellmeaning guest who spreads disruptive chaos
444. Tuba (lebhasi)
:: With 320 students in snappy blue and white uniforms playing shiny trumpets trombones and tubas as they march in briskly changing formations the bands numbers are full of razzmatazz
445. Correspondent (intatheli)
:: He was one of the BBCs longestserving newscasters and a veteran foreign correspondent
446. Dulcimer (nelogwali)
:: Viols and lutes sounded in the background laughing dulcimers wove in and out between the harp notes bassoons and oboes crooned to violins and the deep sweet voice of cellos and he knew it couldnt happen even as it did
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